Monthly Archives: February 2012

Blondtron Interview

Posted on February 14, 2012 by G.Poplopavich | Comments Off

Originally posted on the ~~School of Remix~~

Icing on the cake, valentines swag. Today we have Blondtron. A dynamite Vancouver funker doing it across the pond in Berlin. These few words only just begin to lend you an impression of her fun time demeanour. Read on yall, good time’s ahead.

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Who are you, where ya from, where are you now?

I’m a foul mouthed lady of the night. I’m from Victoria and Cortes Island and at this moment I just got back to my riad in Marrakech after a long day on a camel.

How’s Berlin livin?

Cold, German and totally inspiring.

Can you give some words on your time in Vancouver as a DJ and how you got started.

I got started as a DJ in Vancouver playing rock tunes in the gorilla cage at El Furniture Warehouse. I was paid in tacos, tequila and unlimited peanuts. Then a friend, Chris Goodspin who ran a DJ collective let me play some tunes here and there at the Urban Well and Sky Bar. I used to come over from Victoria with my fake ID and a few records. I was a total booth rat. I went to sound and audio engineering school at AI and met a lot of great people through that. I took what I could get gig wise. Then I was accepted to the Red Bull Music Academy in 2006. After I came back from that I started to get a lot more opportunities…. even played with the ~~Schitz~~ crew… HOLLA!

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As a Vancouverite what kind of experience and style do you think you’ve taken over to Berlin with you?

Vancouver is a great hip-hop and indie rock city, Vancouver DJs know how to blend the two and keep everyone in the room happy. It doesn’t have much of a minimal and house scene. I get bored of deep house tracks and I love hip hop and indie. Not to say I don’t like deep house and minimal, I do, I like all genres. But I think I bring a hip-hop/tropical/raw element to everything I play. I can’t get enough of it. I have to put some sort of chopped vocals or rap on EVERYTHING. I don’t like that over produced sound, I love baile funk, new orleans bounce and juke. It’s kind of punk rock in that it’s raw. I like to blend the rawness with the deepness and smoothness of minimal. I think I bring the sensibility of a Vancouver DJ that has to keep a mixed room happy and mix it with the deep sounds of Berlin… at least that’s what I’m trying to do.

Berlin’s night scene is vastly different from Vancouver’s but what are some differences you’ve found and did not expect.

Last week I saw a dude drinking a beer with his pitbull in H&M waiting for his girlfriend to try on jeans. People can bring their dogs everywhere and drink where they like because they learn from an early age how to regulate themselves, and be smart and have fun. It makes for a totally different kind of crowd in a club. People respect music and DJs. They very much go to listen to what the DJ is playing. A Berliner could never fathom walking up and telling the DJ to play something because it’s their birthday. I don’t know if I’ll ever get used to headliners playing at 10AM. It’s just bananas, my friends will go to sleep at 8PM, wake up at 5AM, start drinking and go see their favourite DJ. It absolutely kills me!

How long have you been DJing and what got you started?

I’ve been DJing for about 9 years now if you count the 2 years in my bedroom train wrecking chicago house with techno at 33rpm (I didn’t know there was a 33 and 45 for like….longer than I’d care to admit.)

I had played a show at Cortes Island Music fest with my so called band, after we played I ate some fungi of the magical variety and was mesmerized while the DJs played… when I was returning some gear to Long & McQuade from our show I was like “Give me everything I need to be a DJ!” They would give financing to a goat so I walked out of there with everything. I got home and opened the boxes and was like “Oh, I have to put it together? shit.” I finally figured it out (sort of) then spent every spare dollar on records.

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Where you listening to anybody in particular that inspired you to get behind the decks?

Not really, Benny Benassi?! I was 17 and had a fake ID and thought I was the SHIT. I didn’t have the internet (HOW DID I LIVE?) so I’d hang at the A & B sound listening bar and just listen to random stuff. I liked house, techno, hip hop, whatever. First records I ever bought were Tiga’s remix of Heartbreaker, a Matthew Johnson EP and The Best of Tribe Called Quest double EP.

Did you have a musical background before you began DJing?

My dad is super musical and let me play all his instruments. We actually had a family blue grass band and would play at old folks homes. I rocked the fiddle and dabbled in a few other instruments, harmonica, ACCORDION (totally a hit with the boys) and settled on guitar because it was too hard to sing and play violin and accordions are just too sexy for a pretty young girl like myself.

What was your first DJ set up?

2 tech 12’s, shitty numark 3 channel mixer.

What are you working with now?

Serato, but I’m in the middle of switching to the APC 40 and Abelton. When I first got back from RMBA in Melbourne I was totally sold on DJing with Ableton, there’s just so much you can do with it, it fits my ADD style of mixing perfectly. But DJs were like “Oh she can’t mix, she’s using Ableton.” It’s hard enough being a girl starting out, there’s so much more to prove so I stuck with Serato. Now it’s like, who gives a flying fuck if you can mix two records together, big deal you neanderthal! Do something interesting!

What advice can you offer to aspiring female DJ’s?

First off, ask yourself if you’re djing for the right reasons… that goes for everyone. I don’t think it’s particularly impressive being a DJ unless you yourself feel like you are really doing something, if you feel like you’re really creating something for yourself and you’re truly enjoying your time in the music. Being a DJ is totally lame otherwise! I’m trying to change the way I do things so I feel fulfilled. I was getting a bit jaded in Vancouver and so I asked myself what my fucking problem was and the answer was I felt like a big phony. I was playing music and getting paid to drink and party but I felt like a big empty douche bag. I wasn’t creating anything I was really proud of. I had to remove myself completely from that situation and take a long look in the mirror (Insert pathetic, life-changing movie montage here). Now that I’m in Berlin I don’t know as many people so I have more time to myself and the people I am meeting are creators. I feel empowered to create… a lot! So I think that’s the most important thing.

As for the female aspect of getting in the industry, surround yourself by people that inspire you. Betti Forde has always been a huge inspiration and friend to me, she’s a fireball of feminist awesomeness. If I’ve learned anything from her it’s that it’s okay to have a giant mouth and lots of opinions. It’s okay to use your sexuality to get ahead. Wear a fucking push-up bra if you want to. Who cares? Go naked or wear a snuggie, do whatever makes you happy and do it for yourself. If you own what you do then people won’t try and oppress you or fuck you over, they’ll know that they just can’t. It’s okay if people hate you. As women we are more inclined to try and make everyone happy but you’re never ever going to make everyone happy. The longer you do this and the more success you have the more people are going to talk shit and be little pricks. Just always show up with your gear in order, be on time and do your thing.

Footnote:Sorry for swearing so much! Morrocan wine is delicious.

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Blondtron – Facebook | Soundcloud | Twitter

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skywlkr Interview

Posted on February 10, 2012 by G.Poplopavich | Comments Off

Originally posted on Realtime

Some words w. skywlkr. Google the man if you don’t know the name, he’s got some honourable mentions around. Check the man out on his soundcloud or tumblr and free DL the exclusive Bruce Lee 2. Read on.

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Firstly, thanks for taking the time. Let’s start with a who are you where are you from?

My name is skylar, from Detroit Michigan, and I go under the name skywlkr.

Has the bustling metropolis of Detroit been a big influence on your style and sound?

Being from Detroit, has shaped my music a lot. I mean I grew up in this music scene, so I’m a hybrid of everything I’ve loved from elsewhere growing up, and Detroit as well.

But I used to be part of the metal scene out here and there’s a huge Rave scene in Detroit, and I really like the vibe of hype shit and shit you can listen to while on psychedelics.

I’m totally with you on that, psychedelics can definitely broaden a persons view and experiences with music (not that I’m recommending them to anyone by saying that). How involved in the rave seen are you? Do you even get behind the decks?

I mean, I party. I’m into all that. The rave scene in Detroit is really popping, and I love that atmosphere. For instance tonight, I’m going to this shit called funk night with all the bruisers. And it’s that whole rave scene but the music is will sessions, who did elmatic with Elzhi. It’s a cool atmosphere. But ya, I’m out here. And yeah, I just got a new pair, I play around, but I plan on getting out there, playing my material live this year.

Now that we’re talkin raves I have to ask you about your track ‘Dubstep Girls are the Worsest.’ Personal experience help you along with the title?

Haha, dubstep is the new cigarettes out here. Like its the biggest fad. And some of these girls out here, just really make me laugh, man. Kinda personal.

Why and when did you make moves towards rap/ hip hop from metal, not too much cross over between the two.

Well, I left my band in New York, and when I got home I had an itch to continue making music. I can play guitar, and bass. And I’m very familiar on a drum set. So I would be like my own band. I’d record every instrument and program the drums with reason. I listened to some rap at the time, so in my free time I started just making rap beats I thought sounded cool. They sounded like Jedi Mind beats. Stoupes production of violent by design made me want to make beats. After I made beats for awhile, a friend introduced me to beat battles, and I did pretty well at them, and that’s when rappers started fucking with me. My name got around.

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Give us something to trip out to, are some notable tracks on psychedelics?

That too much to dream track, that was featured on squadda bambinos back sellin crack (called conversations pt.2) , was definitely created off some nice doses.

Now that your on page 46 of The Fader issue 77 as one of five “To Watch: Producers” have there been more people reaching out to you? People hollering out of car windows and such?

Since the fader, yeah, I have been reached out by a lot more artists, looking for music. My twitter followers went up, my bandcamp stats went up. The cool thing is/was a lot of people who read the fader aren’t just die hard hip hop fans, so people of all sorts showed loved. From all different backgrounds.

On that same page it list’s a bit of whats due from you in 2012 so I’ll skip that question. But I want to know who you’d like to have rhyme on your beats?

As far as who I’d WANT to rap on my beats, that’s a tough call. I feel like the ASAP could do something nice over a track, or like schoolboy q. But I’m really more interested in collaborating with other producers, and artists and musicians. Not to sound a certain way, but I’ve honestly got the chance to work with my favourite rappers right now.

I’ve always been curious to know how big a producers music library is, most people seem to be hesitant or unable to answer. How big is you music library? A track count would be dope.

My music library as in samples and shit, or like music I bump? As far as music I bump I only got like 3,500 songs on my iTunes. But as far as samples, I got gigs on gigs. I’m always downloading shit. Or ripping vinyl. Or listening to old CDs. Movie scores. Anything I can get my hands on. As far as a number though, idk to be exact, I keep my samples in folders, not in iTunes, so it doesn’t show a count or anything.

Production methods. I know in a lot of electronic music producers focus on one part of a new track and then build the rest around it. You have any formula like that?

Production method, I honestly don’t have one. My only thing that stays pretty consistent is blunts. A lot of times I start with just digging through samples and putting a bunch of the mp until I don’t feel like it anymore. Than I’ll just go with what sounds the coolest.

What gear are you working with?

I got a lot of gear. But my main set up is reason 6, and mpc1000, and m audio midi keyboard.

Any gear you’d like to get your hands on in the near and upcoming future?

As far as gear I want, maybe a lean prescription, haha. I love my set up right now.

[soundcloud url=”https://api.soundcloud.com/tracks/21350449″ params=”color=ff5500″ width=”100%” height=”166″ iframe=”true” /]

skywlkr – Facebook | Soundcloud

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Grown Folk Interview

Posted on February 8, 2012 by G.Poplopavich | Comments Off

Originally Posted on Schitz Popinov

Attn class. Here we have one of my favourite interviews to date. Grown Folk.

These cats have been my main squeeze as far as new music goes for some time now. They’ve received hype from some of the best people on the web but remain relatively unknown. Too unknown for my liking. Somebody bring these guys to Vancouver!!!!!! Do it. Read on:

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Introductions first. Who is Grown Folk, where are you guys from and where do you live?

We are Drew and Brendan. We both currently living in Montreal and going to University here (Drew is actually currently in London, UK for the moment) Drew grew up in Hawaii and Brendan grew up in Vermont.

When and where did you guys come together to produce under one name?

We met at University in Montreal in 2009 and both became interested in electronic music as neither of us had much exposure to it in the US. We began as resident DJs for a promotion company putting on events with all the big electro artists of that time (I say “that time” even though it was only 3 years ago). By 2010 we were dabbling in production under solo projects. After a few months of sending music back and forth we realized we were into similar things and decided to collaborate on some tracks. It was just going to be a one off thing, but it went so well we decided to stick together.

What was the final ingredient on the decision to run with the name Grown Folk?

This name actually came from Markus from LOL Boys. I was sending him some tracks and he kept telling me that it was some “grown folks house music.” That kind of stuck with me and when we were thinking of a name that’s what stuck.

What were you doing before this project?

We were both working on solo projects and getting our feet wet in the whole production thing as neither of us really started until late 2009. Drew was putting out tunes under Kid Aloha and Brendan under Roladex.

What’s the worst job you’ve ever had?

We havent really had jobs we didn’t like!

How long have you been into making music be it DJing, producing or formal education and what got you started?

We have really only been into DJing and making music for about 3 years at this point. Both of us are life long music fans of many different genres, but we didn’t start becoming very active until we arrived in Montreal and were exposed to clubs and DJing in general. Initially I (Brendan) didn’t really have much interest in producing because I had no past musical experience and was worried I couldn’t do it. In the Winter of 2010 I saw Renaissance Man play at a big festival in Montreal and something changed. I decided that I could make music too and dove right in. Drew started producing a little bit before that, but for both of us it was really a natural progression from DJing.

What are you working with? Both software and hardware?

Right now we are working with Ableton and a MIDI keyboard. That is about it. We have plans to get hardware eventually, I think the goal is to eventually produce completely on analog gear. But that will take time and money. This summer we will probably get a 707 and hopefully if all works out some sort of synth, maybe an SH-101 or something.

Droptop is what turned me onto your music initially. What can you tell us about this particular track, how much time was spent on it, what got the track started initially and what finally brought it together?

This is actually a pretty funny story. This track started out as a hip hop beat that was being made for a friend. Before the vocal got put in and some of the synth lines we noticed the bassline had a really nice groove. So we sped it up about 25 bpm and realized we could turn it into a summer house tune. We found the vocal and put that in and worked on the structure for 2 weeks or so before we were completely happy with it.

You guys have got the 90′s rave down, locked. I often am reminded of Technotronic when I listen to your music. Can you list some influences?

Thanks man! To be honest we are more into the 90s house stuff rather than the rave and hardcore producers although there was a minute when we were putting some more rave influences into our tunes. People like MK, Murk, Larry Heard, and Kerri Chandler have all had a big influence on our sound. We are still pretty new and discovering so much new music every day that we are constantly influenced by producers from the past 20 years.

How has Montreal responded to your sound?

Montreal has had a great response to everything we have done so far. Local producers like Jacques Greene, Prince Club, and LOL Boys have all been big supporters and have become good friends. We are being booked for nights in the city pretty regularly now so things are going great!

XLR8R, Silverback Recording, Sword Artists, Templar Sound and Hush House have all been sending hype your way. Who else is out there promoting you? From here you seem relatively low key.

Yea we are slowly getting our name out there. DJ Mag did a nice review on the City Wind EP and Fact Mag has shown us some love as well.

Do you have any of your own parties going?

As of now we aren’t doing any parties of our own but we have lots of friends putting on parties every week so we are playing those mostly.

Title’s, there ALL so, “G” ,for lack of a better word. Rap influence on your titles?

Haha, absolutely. We listen to a lot of rap and usually even sneak a little into our sets when we play out.

What kind of music do you relax to or listen to on your own time?

I (Brendan) basically listen to house or electronic music all the time. I also listen to some hip hop, but unlike a lot of people, I enjoy listening to mixes or Rinse FM when I’m just relaxing. Drew is much more into rap than I am so he is definitely listening to a lot of hip hop when relaxing.

How’d you hook up with LOL Boys to remix each other?

We met Markus because he lives in Montreal as well and became good friends. The remixes were just a natural extension of that.

Do you guys have any kind of process or particular section of a song that you begin with when starting something new?

I would say we basically always start with drums. We are both into trying to make interesting rhythms combing classic drum sounds with more experimental ones. So usually we will create a skeleton with that and a bassline and move forward from there.

As far as new go’s can you tell us about your new material? Release deets, title’s, ect.

We have an original track and a collab with Dro Carey coming our on February 20th on CD on the Templar Sound Compilation. This is CD only and Aidan from Templar did an incredible job on the packaging as well as getting great artwork for it so can’t wait for that. After that we have a 12” dropping on Templar. I have to keep the details a little secret on this, but its going to be a hip hop collaboration with two rappers who are really killing it right now. We also have 2 great remixes lined up for that. In the summer we will have another 12” coming out on a new label. It will be house, and I can’t say any more than that. We also have a collaboration with LOL Boys dropping sometime in the future on the Friends of Friends sub label called Young Adults.

When might Grown Folk make an appearance in Vancouver, I’ve had my eye out since Droptop came out. Please don’t tell me I missed you somehow :S

We haven’t been there yet but hope to get out there soon. Tell your friends to book us!

Thats all I’ve got for you guys. Anything you’d like to add?

Thanks to everyone who’s supported us and bought our music, 2012 is going to be a great year, so stay tuned!

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Bombaman Interview

Posted on February 7, 2012 by G.Poplopavich | Comments Off

Originally posted on Schitz Popinov

I talked to Mike D aka Bombaman a bit about himself in the new year and got some words on his Tommy Otis EP dropping today on Lucky Beard Records, which you should probably check.

[soundcloud url=”http://api.soundcloud.com/tracks/65100902″ iframe=”true” /]

Bombaman. Who are ya where are you from?

I am Mike D, born and raised in St. Catharines, Ontario.

Hows about those people tampons hey?

Don’t even get me started…

Before you went under just Bombaman you used to be Mat Carl / Bombaman. I hear you hate trying to explain the Matt Carl name but I was hopin you could here today.

Haha, oh gosh. Ok, it goes back like, 6 or 7 years when me and some friends were playing some Star Wars fighting game or something for the original Playstation or Xbox, I forget. I was noticing how lame the names of the characters were, like, how unoriginal and lame they were and one pops up that says “Marl.” I figured they just picked the names of two guys in the room, Matt and Carl and mashed them up to make this lame character name. I put them together as a persons first and last name and had a laugh. Then sometimes down the road I needed a funny name for dj’ing or whatever, and always had that stupid name in the back of my mind. It’s a terribly lame story and the only reason it’s funny to me is cuz my real name is also two first names. So, yeah…kinda wack lol

What got you into producing?

I always had an interest. I have played drums for a long time so it kind of lended itself to wanting to make stuff, I guess. I don’t know what the true determining factor was, but buying CD players definitely got me motivated to start making and playing my own stuff. I couldn’t do that with vinyl, cutting dub plates was too expensive for me..

What’s your DJ set up like these days?

Two CD players and a mixer. Nothing special, lol. Typical Pioneer setup.

And what are you producing with?

Ableton Live 8.

Are you Evian Christ?

I am not.

I did an interview with Paul Shore / SnapBack a couple month’s back and he’s of the opinion that your producing the kind of music that producers should be producing. Are you just going for straight bass heavy as fuck / weird isht when you jump into a new track? Or is there a more structured approach that you take and people might not expect?

Ummm, I’d say I don’t have much of an approach other than just kind of goofing around, seeing what different effects chains can do to a sound. It’s literally just me mucking about. I’m sure you can tell, but yeah, the sub bass is the most important part to me, and that’s where I usually start.

How often do you go back to your pre Ableton days and background with traditional (old school) instruments for new track ideas? Ableton was a total game changer for you wasn’t it?

I’d say I never go back to pre Ableton days, haha. Ableton was definitely the EXACT program I was looking for. I was using a tracker called Making Waves that was, I dunno, sort of finicky. It wasn’t intuitive, but I learned the hell out of it and made it work. Then through some music magazines I eventually came across Ableton. Based on what I read, it sounded like it was right up my alley. I started using it and haven’t turned back. That must have been about 5 or 6 years ago, I guess.

Your Tommy Otis EP is due via LuckBeard Records pretty quick here. Give us some words on that.

Ah man, so glad to get some of those tunes out on a label like LB. I had a pretty good cache of unreleased music by the time we started talking about releasing something. So we went through some of the better ones and picked out some older and newer stuff. This is also like, a two part EP. I don’t know if the second one will share the Tommy Otis name, we’ll see, haha.

Part one mixes up some old and new. “A Number of Names” was one of the first tunes I made late last year that is along the vein of what i am currently making. Some weird, super subbed out, chopped up vocal retardation. Lots of weird automation with the delays and reverbs, weird panning and stuff. I think I had just hooked up a second sub to my setup, so it may have been more of a demo tune that I just ended up finishing, lol. “Are Pats” is an old one from 2010, I think. It got some unexpected support, but I still never thought much of it. That one is definitely more of a cheesy, party tune. Super up beat with some female vocal workout. The last one is “Everything Came From Strangers,” which is a huge personal favourite, also from 2010. I had just come back from doing a five week stint in the States, and all those kids want is hard hard hard, except in Portland, lol. Anyways, I came back and didn’t want to listen to any of that shit anymore, so I started making some of that really stripped back, pure sub bass, no drums kind of stuff that I am getting known for. That was probably one of the first I made in that style. That track sounds fucking BANANAS on a big sound system, shit will knock a wall down.

Dubstep. I think your the man to ask on the state of the genre, it seems to be a hot topic these days.

I don’t like what is being made and played these days. That’s that.

Is it just me or has “Bass Music” become the new in thing along side Future Garage?

Yeah, I think I’d agree with that.

Top 3 parties for you these days?

I don’t even know. I don’t go out or dj much these days, haha.

Do you spend much time following labels? You’ve got some shit hot releases with some of the good ones atm. I won’t go into listing them all.

No. I’ll be honest. I don’t follow much at all. I know what I like and I tend to stick within my comfort zone until someone shows me some truly next shit, then I go in the studio and try and make it myself, lol.

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Hush House / Nathan Brush Interview

Posted on February 6, 2012 by G.Poplopavich | Comments Off

Originally posted on Realtime

Hush House is UK blog based in Leeds dedicated to fresh beats, bass and melodies from the underground. They have been on the crest of such beats for two thousand nine and show no signs of slowing. Here I caught up with Nathan Brush of HH for a few words about the blog itself and it’s contributors.

So, who are you, where are you from and where are you living now?

I’m Nathan Brush, 19 years old and originally from Manchester. I moved to Leeds in September 2010 to go to University and probably won’t be leaving anytime soon!

How long have you been contributing to Hush House?

I started writing in April 2011 after seeing a post on the blog saying they were looking for new people. I hadn’t done a lot of this kind of stuff before but felt I had a bit of spare time on my hands so was pretty pleased to be made part of the team.

How has your time spent with Hush House involved you in your local music scene?

Yeah, it has helped tremendously. Leeds isn’t a massive city but it’s got lots of really good clubs so the music scene is thriving. Everyone’s at least a friend of a friend really and people tend to help each other out. Through the people I’ve met the main thing I’m involved with now is a night at Wire called Square One, representing the UK house and ‘bass music’ side of things. I also help out with a project started by a couple of friends called Vic53, a weekly live stream where we play a few records and get friends of ours to come down and jam too. I also hold down a couple of radio shows, on Leeds Student Radio and the Manchester-based Heavy Rain TV.

We have our launch party in Leeds coming up on 3rd March but unfortunately we can’t announce the full line up until 11th February. Keep your eye on the Facebook page for more details.

How many of HH’s contributors DJ and or produce and under what names?

Stewart (out in Philadelhia) DJ’s under the name Sideswipe and has a show on Rewind FM. Dylan has got a fantastic taste in all things house and techno and always contributes great mixes to our show on ESS Radio, as well as experimenting with some beats and edits of his own. Adrian (in sunny Barcelona) DJ’s as Thade and is the man behind our ‘Hush The Fuck Up’ mix series.
Joe, Josh and I DJ as well. So yeah, we all keep pretty busy!

You guys have been around for years now. You’ve seen your share of trends move through EDM in that time, what has been the most notable?

I think for me it has been following the work of the young crop of guys who just seem to do it all. People like Bok Bok and Pearson Sound who have got their roots in dubstep, grime and UK garage but haven’t been swallowed up by one specific sound. With these two in particular, I feel their DJ’ing, production and record labels all seem to feed into each other, creating something really unique.

I have to ask about Dubstep. Where do you see it and where do you see it going?

The thing is, I obviously wasn’t old enough (or living in the right place) to go to clubs and appreciate what ‘the originators’ were doing at the time, but I just worked my way back through the history of it and have been fortunate enough to go to nights like Exodus / DMZ in Leeds. It’s music that needs to be heard on a proper soundsystem and not enough clubs have good enough setups to do the music justice, despite there being an increasing demand for dubstep DJs to play. I can understand why some people get annoyed when producers they love start making tunes more suited to Radio 1 than a dark club but you’ve just got to let go. There’s no point waiting around for classics to be remade and so many of the ‘dubstep’ labels are still putting out really forward-thinking dance music, just less of it is at 140bpm.

At the end of the day, the dubstep scene was a great vehicle for a lot of artists who will carry on making great music. We never consciously decided to post less dubstep, there is just not as much of it that we’re feeling.

Is Hush House a record label?

Yeah, we have got plans to start releasing some music. It’s still very early days at the moment though! Producers can send their stuff to us on this address: label at hushhouse dot net

What’s HH’s rapport with other established labels out there?

We’re really fortunate to receive a lot of music from well-established labels and we’re really grateful for it. If we like it, it’ll almost certainly end up on the blog, in a radio show or getting played out in the club. It’s always rewarding when artists and labels recognise what we do.

You guys have a great ‘Introducing’ segment. Always good up and comers, and more often then not, when it says in a post “a name to look out for,” it’s well worth following or liking on Soundcloud. Sources of new music?

I honestly think the best way of finding new music is from your friends, they know you best and are most likely to point you in the direction of something you like. Apart from that, I just check out a few blogs (shouts to Inhabit Magazine and AOAO in particular) and listen to loads of radio shows. Alexander Nut’s show on Rinse is one I always catch. Those of us lucky enough to still have a reputable record store in town should make the most of it!

Top 3 artists you say people should keep an eye out for:
John Talabot, Mano Le Tough & Ziro.

Top 3 sources for new music:
I’ve been listening to NTS a lot more lately – Jon Rust and Dark Sky have particularly good shows. The Autonomic, Numbers & Hessle shows on Rinse FM always leave me with a long list of tunes I want to track down. The FACT mix series is really well curated and there’s literally hundreds to sift through!

This was great, thanks much. Anything you’d like to sign off with?

Not really, just read the blog and come to our nights and we’ll be happy!

Hush House

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