Here come the remixes from Baauers “U” album (presumably), with BRUX (Brooklyn) leading. The BRUX Remix is the first version to appear on Baauer’s own channels with an official buy link, suggesting it may be…
Articles by FC
Bodyrox – Yeah Yeah feat. Luciana (Kelland x BROSA Remix)
Bodyrox feat. Luciana’s “Yeah Yeah” remains one of the defining electro house records of the mid-2000s. Originally released in 2006, the track was propelled into wider success by the D. Ramirez Vocal Club Mix, which…
DANIEL ALLAN, LIV GRACE BLUE – TAKE ME UNDER (Carly Castro Flip)
Carly Castro has released a tech-house flip of Daniel Allan and Liv Grace Blue’s “Take Me Under,” turning the collab into a sharper, club-focused piece. Her career sits on a clear Vancouver x Los Angeles…
longstoryshort – TILL THE BREAK OF DAWN
longstoryshort has spent recent years refining a sound that balances UK garage swing, bass house weight, and dark club textures. This debut on Night Bass feels like a natural fit — a track designed less…
LISA – SaWaDiKa (Kuhlosul Flip)
Kuhlosul (pronounced “Colossal”) is known for what he calls a “unique and ghastly take on Dubstep.” Drawing from hip-hop, trap, and classic dubstep, he specializes in weird, wobbly, and aggressively detailed design. Hailing from Kelowna,…
PRESLEY GRAY – second setting
Presley Gray (Vancouver), has built a reputation as a selector who moves fluidly between UK garage, breakbeat, 140 dubstep, and house. Her sets balance dark basslines and 2-step rhythms with moments of dancefloor euphoria, and…
TOFA – Pa’ ca
A big part of TOFA’s approach is keeping music accessible. Much of his catalog lives as free or freely streamable releases on SoundCloud. Recent originals like “Pump” and now “Pa’ ca” follow that same direct…
Tripzy Leary, SUZU – GOODBYE
“GOODBYE” is positioned as the first single from the forthcoming Carousel EP. While full details of the project haven’t been unveiled yet, the lead track already sets a tone of reflective energy wrapped in electronic…
NXSTY – BREATHE
NXSTY’s strength has always been treating trap and bass as complementary rather than separate. Trap supplies the rhythmic attitude and swing; bass music supplies the weight and impact. On “BREATHE,” those two forces hit together…