Category Archives: Downloads

Money Muela takes the raw, primal energy of the Brazilian underground and channels it into a production that is instantly recognizable yet completely his own. This track isn’t subtle; it’s a declaration of war on weak sound systems and lazy dance moves.

This track isn’t just a song; it’s a mood. It’s the sonic equivalent of stepping into a dark, pulsating club at 3 AM where the air is thick with anticipation and the bass is the only thing that matters.

This remix isn’t just a simple tempo increase; it’s a brilliant piece of engineering that showcases Dr. Fresch’s skill as a producer. He understands that the soul of “In Da Club” is its swagger and infectious repetition. By using those vocal snippets as rhythmic elements within a heavy, driving house framework, he creates a song that feels both comfortingly familiar and explosively fresh.

Prizmack strips away the trap beat and replaces it with a thunderous rhythm, driving the track forward with crisp percussion and a relentless, growling bassline. The result is a fusion of sounds: a dirty rap hook delivered over a bass house or aggressive EDM drop that hits with the force of a wrecking ball. Prizmack masterfully chops and delays the vocal samples, turning Erica Banks’ voice into a percussive element that fuels the drop.

This track is an immediate descent into the low-end. It features GWN’s signature distorted, almost vocal-like bass synths that oscillate, rumble, and snarl, mimicking the very “bark” suggested by the title. The production is clean yet heavy, giving the track a raw, animalistic energy that’s perfect for the dance floor. It’s the kind of sound that doesn’t just ask you to dance—it commands you to move.

While the title evokes a subterranean, heavy atmosphere, the music itself promises to deliver the kind of massive drops and intricate percussion that compel listeners to move. Expect bone-shaking basslines, sharp, intricate drum patterns, and an energy level set permanently to “maximum.” It’s the sound of the underground, filtered through a festival-ready lens.

The trap landscape has just been rattled. Hip-hop heavyweights Quavo and Yeat have joined forces with the buzzing producer BNYX® to drop the hard-hitting track “NEW TRIP (Real Lyfe Shit),” and it’s everything fans of futuristic, hard-edged rap could ask for.

Felix da Housecat is a figure whose career spans the very birth of house music, and he continues to prove why he is one of the genre’s most enduring and versatile artists. Known for his genre-hopping prowess—from electroclash anthems like “Silver Screen (Shower Scene)” to slinkier electro-funk—Felix’s discography is a masterclass in refusal to stand still.

“Doogie Bisco” is the latest offering from his own label, Founders of Filth, the home for many of his recent projects.

You may know BNYX® as the super-producer behind some of the most innovative beats in modern hip-hop, crafting hits for artists like Drake, Yeat, and Travis Scott. But on his debut artist EP, LOADING…, BNYX steps out from behind the boards to reveal his vision as a genre-bending creative. And nowhere is that vision clearer and more infectious than on the standout track, “TELEPATHY LOVE” featuring the enigmatic British vocalist Clara La San.