“Love Me” sits at 140 BPM in F minor and runs just over three minutes. It is the first cut on the three-track EP, which also includes “5:30 am” and “Voicemails.” The project is described…
Taiki Nulight – Ill
Young Money! Ya dig? For a producer whose output regularly moves between originals and high-profile reworks, the Wayne A Millie remix adds another bass cut to the current run. It sits alongside the rest of…
Adame Twins – Go Back
Can’t help but feeling within the a sub listening to “Go back,” either kind tbh. Their catalog already includes self-written cuts like “1234,” “Rompe El Cuero,” “So Many Stars,” “Macaw,” and “IDWK,” alongside a steady…
shmani – The Void
Vancouver producer and vocalist shmani drops “The Void,” a self-released single that sits in the space between dubstep, future bass, and trap. File it under Hybrid if need be. With no featured artists or label…
Crimson Child – Umbra
Crimson Child’s “Umbra” sits as a direct invitation to immersion. Uploaded with the simple note “Immerse yourself in the Umbra,” the track belongs to the Vancouver producer’s long and ongoing line of cinematic electronic and…
Chmura, Saturna – More
For a Vancouver-based blog, Saturna’s BC roots add a local thread to the partnership, even as Chmura’s Denver base and festival circuit pull the sound into a broader North American bass context. “More” is the…
Shankz – Miami (SEB C Remix)
The original track (featuring Kili) came out earlier this summer on Broke, and SEB C’s version leans into the Urban House approach he’s been refining all year. He just came off a set at Ultra…
RAVENSCOON & Hex Cougar – ECHOES
“ECHOES” serves as the last look at the world Ravenscoon is building for the full album “Sanctuary.” Where some of his recent work has pushed heavier or more experimental directions, this one jets up moreso…
RDGO – Gaslight
Opening with cool poolside euphoria, followed by a smooth twist to one of the best UGK grooves in a minute, placing ‘Gaslight’ high high on the list of favourite RDGO tracks. If you were sharp…