For some artists, music is a hobby; for Allicy, it’s a reclamation. After years of feeling “small” within the creative landscape of the Island, the move to Vancouver served as the ultimate catalyst for her transformation. In just a year, she has evolved from a student of the scene into a formidable curator of melodic, high-fidelity dubstep—or, as she affectionately calls it, “dubstep with a little sparkle.” By blending 140 BPM weight with ethereal, shimmering textures, she has carved out a sound that is as emotionally resonant as it is physically powerful.
Now firmly rooted in the Lower Mainland’s thriving electronic community, Allicy is proving that vulnerability and heavy bass aren’t mutually exclusive. Whether she’s exploring the catharsis of “Letting You Go” or flipping classics for her upcoming Your Dad’s Radio series, her focus remains on the deep connection found only on the dancefloor. We sat down with the rising producer to talk about her Vancouver-inspired evolution, her technical deep-dives into Serum, and the liberation that comes with finding your voice in the booth.
Let’s start with the name Allicy—what does it mean to you and how did you land on it?
I chose a name that would be fluid for any genre. At the beginning of my music career, I played most genres and even now I play some house sometimes. I also wanted a name that was easy to remember and connect me to.
How would you introduce yourself and your sound to someone hearing your music for the first time?
I would call the genre I’m producing melodic dubstep. I always joke and say it’s dubstep with a little sparkle. I play 140/dubstep.
What first pulled you into making music? Have you always had music in your life?
I’ve been in the rave/party scene for quite some time. I always wanted to get into DJing but didn’t for whatever reason. I had been living in a house full of DJs so they got me into it.
Was there a specific moment when you realized music was something you wanted to pursue seriously?
After one of my shows at Bassterdam, I felt the power and the release DJing had. I experienced connecting with the crowd for the first time and I was hooked. After that, I started producing and taking music to a whole new level.
Influence & Inspiration
Can you share a few artists’ names that have been highly influential for you?
- Global: Zingara, Mary Droppinz, Subtronics.
- Local: Some local talent that inspire and help me are guess who¿, Graf, and Amplifise.
Overall, what tends to inspire you most: personal experiences, other artists, or a specific mood?
What tends to inspire me is the feeling of having a voice and reclaiming who I am and want to be. I spent most of my life feeling small and now I feel powerful. Being able to curate dancefloors and connect with people hits so deep.
“Letting You Go” has a specific emotional weight. Does creating for you feel more like a private catharsis, or are you specifically creating with the intention of connecting to a wider audience’s shared experiences?
Yeah, “Letting You Go” has a very deep emotional weight for me. This song was created in the height of leaving a very toxic relationship where I feel so many people—women specifically—feel so stuck. This song guides you through the journey of letting someone go and reclaiming your power. With my production project, I definitely have intention to connect with wider audiences.
The Creative Process
What does your typical creative process look like from idea to finished track?
My creative process is different for each track right now. Some ideas come easy and other songs I work on for months. I think my workflow is a goal of mine to work on.
How do you decide when a song is complete?
Once I’m ready to master a track, I usually send it to a few of my close friends who give me so much productive feedback, and then once I listen back and make appropriate changes, it’s good to go.
For me, I don’t tend to break my art apart too much. I think it’s important to not be too hard on the art; I know for me it blocks my creative flow and I’m holding grace for myself as I’m new.
Do you write or produce differently when making original tracks versus remixes?
Yes. My remixes tend to be more drum and bassy and my originals are my own kind of dubstep genre. Remixes I find are easier because you have lyrics/sounds to work off of already.
Vancouver & Identity
Has being based in Vancouver shaped your sound or creative perspective?
Being in Vancouver has changed my whole path. I have met the best connections and have created such an amazing life. I am originally from the Island where I just felt small and didn’t really do anything outside of the box. This last year being back in Vancouver has completely transformed me.
What elements make a track feel unmistakably like you?
I’m making a melodic high-sounding dubstep. My goal is that people hear a high-pitch dubstep track and think of me :)
Are there any genres or sounds you’re experimenting with right now?
Right now my focuses are exploring Serum and making my own samples, as well as making my dub a little deeper.
Which of your songs best captures your current artistic identity, and why?
I think “Letting You Go” captures it very well for now. I have so many other projects coming out :)
The Journey & What’s Next
What have you learned most from making and releasing music independently?
There are sooo many things nobody talks about regarding releasing a track. When I first was trying to release, I was fighting with distributors just not knowing anything about the music industry. Just little things like that can add up to bigger hills and I can see why not everyone distributes tracks. I think it’s also good to learn not to take feedback from just anyone. Be confident in what you’re creating.
What has been the biggest challenge in developing your artist identity?
I haven’t had many challenges as of yet. I am extremely blessed to have so many influences that help me. I think the only thing I do struggle with is social media and promoting new tracks.
What keeps you motivated when inspiration is low?
All of my close friends are in music, so hearing their new tracks and going to their shows inspires me when I’m low. I also think it’s okay to take a moment every now and again. We’re not going to be 100% all the time. Protect your art and don’t overdo it.
Are there any upcoming releases, collaborations, or live plans you can share?
I have been working on a series called “Your Dad’s Radio” where I’ll be flipping lots of old classics! I also have a few other local DJs I’m collabing with.
As for live shows, I have a few festivals this summer I’m looking forward to!
