Category Archives: Music

If there’s one thing the Copenhagen bass scene knows how to do, it’s delivering low-end frequencies that rattle your chest cavity. Two of the city’s undisputed heavyweights, Fabian Mazur and Snavs, have joined forces once again for their new single “Talk About It,” and the result is exactly the kind of controlled chaos we’ve been waiting for.

Notion has long been a staple in the UK bassline and garage scene (recently snagging a BRIT Award nomination for his remix of “The Days”), but “FITNESS FIRST” sees him sharpening his edges. The production is frantic but controlled—a driving, bass-heavy rhythm that feels like speeding down the M4 at 2 AM.

Yes Chef is a growing name in the bass community, with releases on labels like LoFreq and Aspire Higher. Known for tracks that mix humor with serious sound design, they are part of a wave of producers keeping the “bootleg/flip” culture alive on SoundCloud.

The So Sus Edit of “Lights Go Out” takes the original’s emotional core and drags it into the shadows. Instead of the expected four-on-the-floor drop, So Sus recontextualizes the vocal, wrapping it in the textured, heavy sound design that has earned him a Juno nomination.

This release marks a significant moment for Getter. “Stab Up” serves as the lead track for the DOOM EP, which is the first chapter in a planned trilogy of releases for 2026. After exploring different sounds over the last few years, this project feels like a homecoming—a return to the heavy, aggressive energy that built his cult following, but refined with years of production mastery.

While the original thrives on its groove and Jazzy’s signature vocal hooks, the Dart Remix builds a massive, atmospheric soundscape around them. The tempo shift gives the lyrics a new sense of urgency, making the “Can’t Deny It” refrain feel less like a confession and more like a commandment to dance.

Vusive continues to prove why he’s a name to watch in the experimental bass world. “THRPY DUB” is a sophisticated addition to any playlist focused on underground sessions.

When the traditional sound of Maharashtra meets the high-energy pulse of the global dance floor, you get Kratex. His track “TUTARI” isn’t just a song; it’s the blueprint for a movement he calls “M-House.”

For a while, John Summit was the undisputed king of “tech-house-meets-pop-vocals.” But “LIGHTS GO OUT” sees him leaning into the “Mainstage” and “Techno-Trap” influences he’s been teasing in his live sets at festivals like EDC and Ultra.