Category Archives: Downloads

Star Slinger has always been a master of the “flip”—taking a recognizable piece of music and completely reimagining its DNA. With “Ludwig Van,” he takes a deep dive into classical influences, presumably nodding to the works of Beethoven (the “Ludwig” in question).

“boomerang,” announced on his socials as a “dark mega trap banger” that just dropped on all platforms, fits exactly into that narrative. The track feels like another step in solidifying his identity: cinematic intros, menacing energy, and drops that feel tailored for both DJ sets and headphone sessions

The remix starts by leaning into the haunting quality of Florence Welch’s vocal. For the first minute, it feels like a fever dream—ethereal pads and glitchy textures swirl around the familiar lyrics, building a sense of uneasy tension. But as the tempo climbs, it becomes clear that the “dog days” aren’t just over; they’ve been obliterated.

The original track is a slick, bass-heavy house record that showcases Kasabian’s gritty vocal presence over Calvin’s signature polished production. It captures a specific “old-school Calvin” vibe—reminiscent of his I Created Disco and Ready for the Weekend era—while staying firmly rooted in the modern deep house scene.

If you’ve been missing that soaring, emotional progressive house sound that feels like 2012 in the best way possible, this remix is for you. It’s a testament to why Axwell, Steve Angello, and Sebastian Ingrosso’s music remains the ultimate canvas for talented producers.

In 2007, pop, electro, indie, and rave were colliding in a way that felt brand new—Kanye’s “Stronger,” Rihanna’s “Umbrella,” LCD Soundsystem, Justice, blog-house, and big emotional hooks over pounding beats. “What Music Felt Like In 2007” doesn’t just reference that time; it tries to recreate the feeling of it: euphoric, a bit cheesy, totally sincere, and built for dancing with strangers in dark rooms and crowded festivals. The title reads like a mission statement, and for a duo known for emotional, high-energy trance-dance, it fits perfectly.

The track’s inclusion in Shoku’s “Remixes & Edits” context and its presence across platforms like Audius and DJ‑oriented channels suggests it’s meant as a true set tool, not just a casual streaming flip. It’s the kind of remix that can reset a crowd: people sing along to the hook, then get blindsided (in a good way) by a modern, polished drop

The original “My Humps” blew up in the mid‑2000s with its cheeky lyrics, simple call‑and‑response hook, and instantly recognizable synth lines. That combination makes it perfect sample material: the second you hear a slice of that vocal or melody, your brain fills in the rest, which is why so many producers across EDM, dubstep, and club music have taken a swing at it over the years.

Refilled is a producer and DJ from New Jersey with over a decade of experience shaping a sound that pulls from Brazilian funk, UK garage, techno, and, at its core, Jersey club. His discography ranges from tracks like “Simon Says,” “Poker Poker Poker,” and the “Pump It” remix to a steady flow of club-ready edits and originals that have earned him millions of plays across platforms. Along the way, he has built a reputation for high-energy, genre-blending sets that move seamlessly between hip-hop, EDM, and global club music.