Skrillex, Missy Elliott & Mr. Oizo – RATATA (LUSSO & RION Remix)

When three giants like Skrillex, Missy Elliott, and Mr. Oizo join forces, you know the result is going to be something explosive. Their collaboration, “RATATA,” is an undeniable banger—a frenetic, genre-bending track that perfectly blends the worlds of bass music, hip-hop, and avant-garde electro.

But what happens when you hand a track of that magnitude over to a fresh set of producers? You get a masterclass in re-imagination. Enter LUSSO & RION, the production duo who have taken the iconic original and completely flipped the script, delivering a remix that transforms the tune from a bass-heavy stomper into a relentless Tech House groove.

Hamdi – Nightmares (feat. Issey Cross)

For months, the SoundCloud preview of “Nightmares” was a staple in DJ sets and a teasing snippet of bass music perfection. Now, the full track from UK producer Hamdi and vocalist Issey Cross has officially dropped on Atlantic Records, and it’s everything fans hoped for: a masterful fusion of dark energy and pop sensibility.

If you thought Hamdi’s signature blend of grime, UKG, and dubstep couldn’t get any bigger, “Nightmares” proves otherwise. This is a track built for main stages, blending the producer’s deep, aggressive bassline roots with a striking, radio-ready vocal performance from Issey Cross.

HIGH AND I LIKE IT (drew canter VIP MASHUP)

It’s Murph has quickly become a sensation in the electronic scene, known for his infectious brand of House music—often characterized by stutter house rhythms, euphoric melodies, and bright, driving basslines. The original “High And I Like It” captured that feeling of pure, unburdened joy and escape.

Drew Canter’s “VIP Mashup” (a term often used to denote an exclusive, personalized remix built for the DJ’s own sets) acts as a powerful amplifier for the original’s best elements. While the SoundCloud link itself provides no explicit genre tags, based on the sonic style of both artists, Canter likely pushes the track further into the realms of Tech House or Bass House.

Central Cee – BAND4BAND feat. Lil Baby (Terzi Remix)

From the first second, you are hit with a heavy, often sparse beat, likely characterized by rattling hi-hats, a thunderous 808 bass, and a melodic loop that hints at UK Drill’s dark mood or Atlanta Trap’s relentless intensity. terzzzi’s delivery cuts through the mix with confidence, laying down verses that are all about the grind, the rise, and the non-negotiable pursuit of success. This isn’t just background noise; it’s a statement track built for late-night drives and sound system testing.

Felix Cartal, Reo Cragun – Summer Rain

Quick reminder of Felix Cartals upcoming new album with a lil nostalgia summer 2025 sound. “i, sabotage” will be out shortly. Be on the lookout.

Eric Reprid – LETS GO

Eric Reprid is back to command your attention with his blistering new single, “LETS GO.” The Chinese-Canadian independent artist from Vancouver, known for his raw emotionality and versatile hip-hop sound, dropped the fresh track onto SoundCloud and all major streaming platforms. If you’re searching for the next high-octane song to fuel your workouts or late-night drives, your search ends here.

BOU – Going Off feat. SLAY

If you’ve been anywhere near the current UK Drum & Bass scene, the name Bou should already be synonymous with devastating basslines and high-octane energy. The Manchester-based producer has solidified his reputation as a master of modern DNB, and his track “Going Off” featuring Slay is a perfect example of why he’s dominating the dancefloor.

Disco Lines, Tinashe – No Broke Boys (Whethan Remix)

Whethan, known for his dynamic production style, proves why he is one of the most exciting artists to watch in the EDM scene. While the original track by Disco Lines and pop star Tinashe brought the vibrant house energy, Whethan injects raw, heavy bass, transforming the vibe completely.

This remix is a masterclass in genre fusion. It maintains Tinashe’s iconic, sassy vocals while building tension with intricate sound design before detonating into a pure, unapologetic Dubstep drop. If you’re searching for “heavy bass tracks,” “new Dubstep music 2025,” or the best “Whethan remix,” this track is your answer.

Four Elements – There Is So Much More

Four Elements masterfully crafts a rich, atmospheric production that situates the track firmly in the realm of premium deep and tech house. The track opens with a smooth groove and deep vibes that immediately pull the listener in, creating a hypnotizing foundation.

The percussion is tight and driving, punctuated by crisp hi-hats and a satisfying low-end kick drum—perfect for a late-night set or a reflective afternoon. What elevates this piece is the emotional weight carried by the synth work and the recurring, almost whispered vocal samples. These elements deliver a feeling of expansive potential, transforming the typical house beat into a vehicle for introspection. Fans of artists who bridge ambient texture with danceable energy will find themselves hitting repeat on this track. It’s a testament to quality production and brilliant sound engineering.