Category Archives: Downloads

Video: Mount Kimbie – Made To Stray

From the new album ‘Cold Spring Fault Less Youth’ out May 27th, through Warp Records. Download made to stray HERE.

Video: Smokey Robotic – Unlike Anyone

Early this afternoon New York / Vancouver “super future” group premiered their latest piece of visual artistry on Complex Music. Since that time it’s been popping up in every other corner of the blogsphere. Really hope these dudes blow up. They have been good for too long.

Buy Unlike Anyone via iTunes

The Slowcast Vol. 025 – A-Mac

artworks-000046443785-v1cbkn-original Today has been an amazing day for good music. Local Vancouver dj crew @slowdjs have developed the #slowcast podcast into something most sites will be struggling to contend with for years to come. The series focus is on North Western artists. Todays edition, Vol. 25, comes from Calgary based A-Mac. His amazing skill-set and expertise in selection is in full effect.
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Druture (Grown Folk) Interview

druture_032513

Caught the coat tails of Montreal fused Grown Folk half Drew, aka Druture. The incessant weight of a not small twenty four year old male was enough to slow him down and grant an interview to. The ideal outcome, seeing as how Grown Folk have long been a continuos blip on the Duracell battery powered radar of this ill lit, Red Bull can littered lair. Through the interview we discussed his own moniker, Druture, and the connection between the solo project and Grown Folk.
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First and foremost, Druture is purely a side project correct? Last time I saw uploads from a group members new alias was when the LOL boys split.
Damn, RIP LOL Boys. Nah nothing like that at all, Brendan actually was the one who encouraged me to do a side project to get some of these tunes out there. Grown Folk is as strong, and busy as ever, expect to hear a lot of new stuff from us in 2013. Shout out to Jerome LOL and Heartbeat(s) btw, some amazing stuff coming from both of those dudes.

Elaborate on the branching.
With Grown Folk, Brendan and I have always taken a more calculated approach to what we put out there, and we’ve worked really hard to establish a signature sound, a sort of strand that ties together all of our material. Its something I’m really proud of creating, but I also have a lot of other impulses which might not fit perfectly under the Grown Folk umbrella.

How are you approaching solo productions differently?
Its actually not all that different than how I go about working on Grown Folk tunes. Brendan and I have actually spent a good deal of our time working together in different cities. Whether its due to the 4 month summer breaks when we weren’t in school, or the 8 months I spent in London 2 years ago. Because of this we’re often starting up projects, getting them to a certain point, and then uploading them to dropbox. I guess the biggest difference is that there is no one else to bounce ideas off of, and when I get stuck on a track there’s no one to help get things going again other than myself. There’s a really nice fluidity to being in a duo, since you’re not always going to be inspired or motivated to work on things 24/7. You also have another set of ears throughout the entire process, because anyone who’s produced will tell you that after a few hours, its easy to get lost in the loops, and doubt can definitely creep in. I think that working on a solo project will only strengthen myself as a producer, and I’ll have even more to bring to the table when Brendan and I work on a Grown Folk track together.

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What genres are you looking to explore outside of the group? Hip Hop clearly. Also, I love that the only person your following is The Dream. The guy is too good, and he remixes so damn well.
Hip-Hop is the obvious jump off point, but there’s a whole world of sounds and regional strains that I’m into. The Houston sound has always been a huge influence for me, and its something that I bring to all my productions, be it Druture or Grown Folk. I’m living in Atlanta right now, soaking up a lot of the mixture circuit as I can, I’ve always been a fan of this city’s output growing up. It was always weird being a Hip-Hop fanatic, but really liking the snap music and “ringtone rap” that everyone was claiming was the death of the music I loved, that stuff just worked to me. Another major influence is the mid 2000s peak-era Roc-a-fella records stuff, particularly the Diplomats camp, anyone who knows me knows how big of a diehard dipset fan I am. I really love Hip-Hop, and to me it means a lot of things.

Outside of Hip-Hop, I’m definitely pulling from a few different places as well. To be perfectly honest RnB is something I’ve only really gotten into since becoming a producer, but yeah I can’t get enough of it. The-Dream really represents a lot of what I aspire to be as an artist. You can hear a ton of different influences in one of his LPs, but they are all distilled through these candy colored filters, and they come out sounding undeniably like Dream songs. I like to think that I’d be able to identify a lot of the songs he’s written as his, even if I wasn’t such a big nerd that reads every releases liner notes before I hear it.

Who are your biggest Hip Hop / Rap influences?
Right now for me the top 10 looks something like:
Kanye, Cam’ron, Max B, UGK, Soulja Boy, Future, Mike-Will-Made-it, Chief Keef, Hollywood Squadda & Denzel Curry

Here’s a big one. Is Druture a play off the rapper Future? I.E. how did the name come about?
Yeah absolutely. I think Future has one of the best names in music, its hard to believe that no one else has claimed the name until now. Regardless I don’t think any other human being embodies the name Future as well as he does, maybe Steve Jobs but those guys just use their real names. I wanted to use my real name, but I didn’t really want to go the Ryan Hemsworth route because I’m overwhelmed by Facebook as it is. Drew rhymes with a cool words, but I really wanted to just have one word. Druture just came to me on a wave out of nowhere, it was a very Future moment.

Do you feel as tough you’ve landed on your sound as a solo artists or is there more feeling to do?
You know that 10,000 hour theory that Malcolm Gladwell wrote about in his book ‘Outliers?’ He basically says that to reach true mastery of something you need to put in 10,000 hours of practice to get there. I was getting kind of depressed about the fact that I probably wouldn’t be able to ever reach that number in anything I do. Then I realized that listening to music is my 10,000 thing. I listen to a lot of different genres, and my taste is all over the place, but there’s definitely a certain vibe that I usually gravitate towards. I don’t think I’ve landed on my sound, but I have a good idea of where I’d like to take things. We’ll see if I end up getting there though, I like taking detours and ending up in weird places.

What would some receive if they ordered a Druture cocktail?
Dirty Sprite mixed by Tommy Kruise.

So what is your next step? What is Druture’s future? Sorry, I’m all about lame jokes.
I’m working on the first Druture mix which I’m trying to record live on Technics. That’s actually how I learned to DJ, but its been a while, with Serato and CDs in the years since then. Helix and I are also working on a mixtape w/ Hollywood Squadda, but that’s still in the early stages. Helix and Squadda are going to be an amazing combination though, just based off of what I’ve heard so far…

The Grown Folk FB page and yourself have been quite a bit more active these days. Is schooling all wrapped up and is that why you’ve been so active online?
More or less yeah. I think a lot of it is also excitement about what our friends are doing, and what we have in store for everyone. 2013 is going to be a very exciting year for people who like good music.

Let’s finish this as charming as possible. What makes you want to throw up?
When people say, “just be realistic for a second.”

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Hermitude – Hyperparadise (Flume Remix – DJ Butcher Edit)

hermitude_hyp-095220 Easily in the top ten best tracks of all time in my books. The original I mean. But what DJ Butcher did here is a little slice of brilliant. Spacious hits progress quickly into a nice big build, then, things get down right thug. Let your shoulder lean.
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Maxwell Vautour – Pizzicato Trap

avatars-000037539681-kgpo9v-crop As you might expect from the title there is a plentifull amount of string plucking. Tastefully tangled within a solid trap structure. Look for more Maxwell Vautour here in the future.
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Hesk – Straight Up Weed / Lots Of Gin

artworks-000045668734-qztr0x-original Track title should be giving you a real big heads up as to what’s in store. Just know it’s straight Footwork. #CheckOut Hesk.
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cvrlcvrl – WAVE

artworks-000045406112-xyav4f-original Ten days old is the new from Brisbane Australia’s cvrlcvrl, by way of We Philthy Maine. Transcending his moreover harder previous works, into a softer fluctuating future / trap hybrid.
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Cherriep (Philthkids) Interview

IMG_6135 These West Coast (Vancouver & Nelson BC) weirdo’s and Juke all stars are on what some might call “a tear” these day. Lots of radio with SUB.FM , a new label en route and, more music trickling through their online presence to the cold dead fingers of Juke /&+ Footwork enthusiasts. So scoop up all the Philthkids n’ Cherrie P related news and goings on below. Cherrie really went in on the interview and provided in depth information all subjects. PS. your indulgence in FLUCTUATIONS is well encouraged.

Hows you?
Hey, I’m good. I’ve been very busy just trying to keep up with the party scene here in Vancouver. Everything is really happening right now as we get out of this nasty rainy weather season. We had lots of sun last week so people are energized. You can feel it. I don’t think we realize how important the sun is for moral until it gets taken away for six months.

You just released the Space Potion EP. Tell us about it, how long in the making, where it was recorded and with what, etc. All the deets.
Space Potion is a super silly record containing a whole lot of silly tracks that we felt would work as a free release. You have to do that now and again, give stuff away for free. It’s available exclusively through Walmer Convenience, a Toronto based Music blog run by street people – seriously I’m almost certain their homeless.

Tracks to look out for on this release include “Lit Up”, which was produced on an actual 808 drum machine. If you listen to the percussion, you can here the difference. Another track to look out for is “Fuckin with Hoes” , which was inspired by Dj Omega (I record all my own vocals btw). Finally, “Water Broke” and “So Big” which are some biblical type Ghostwhip jams we thought you’d never hear.

This is really the “new jazz” of electronic music. Structurally it allows us to explore ideas outside the conventional methods of song arrangement and presentation.

This hasn’t been the focus of all the philthy attention though has it. Philthtrax, a label is in the making, correct?
Footwork has been a significant focus of the crew, its just so new and unexplored. The label has been my primary focus of late, as it will propel our crew to the next level. From a bookings stand point and overall reputation with artists, we feel that its in our benefit to establish ourselves as a label.

With whom are you working on the endeavour of endeavours with (Philthtrax)?
I’ve been working closely with Pat Walters aka. Dj Cure from Aufect Recordings. He lives across the hall from me and has lots of experience and helpful information. He helped connect us with our current distribution partner as well as publicity people. It’s really great to have access to somebody who’s made mistakes and who can guide you away from making the wrong moves.

I’ve also been working more with Ghostwhip as an A&R, he has always been really great at finding the music. It’s the core of any catalog — the songs. So it’s very important to have people on your team who know where to look.

Are your signees to be of primarily Northwestern local, Canadian local, or of internet connection?
Were focusing on anybody who can produce original (very important) Jungle/ Juke Hybrid music. Unfortunately, we haven’t seen many submissions from Canadian artists, Hesk being the only exception. Outside of him and ourselves I think that’s about it for Footwork producers out of Canada. Send content to submissions@philthtrax.com

We want to hear something that draws from the sound and emotions of 90’s Jungle music while maintaining an original feel with elements of Chicago Juke music. These two genres go splendidly together. If you want to hear some good examples check out our latest release with Aufect Recordings “Fluctuations.” — link — http://philthkids.bandcamp.com/

Also check out Chrissy Murderbot’s label Loose Square’s, Addison Grooves new stuff, CL Moons “Sweeekers Vol.1 and 2 and of course Dream Continuum (Machine Drum and Om Unit).

What brought about the decision to start your own label?
The decision was made after waiting on labels to release our music, in one particular case it took this one label like a year to put out a release. Fluctuations was the release, we ended up passing it to Aufect Recordings in the end.

Honestly, it has a lot to do with poor organization and no real accounting structure. Label heads need to wake up in my opinion. The technology and services for artists to start their own labels and build relationships with Distribution partners is becoming more and more accessible. What makes you think your artists won’t do what we did and just start their own label?

Externally its always nice to know that people are “buying” your music and not stealing it. I have downloaded my share of music before, but mainly stuff you can’t find in digital formats. Bah excuses. Since I’ve begun the label process I’ve changed and I hope our fans plan to do the same. We will be offering new formats and interesting ways to get their attention you can believe that.

As Cherriep, will you be a prominent artist on the roster? Separate from the Philthkids I mean. I don’t think so. Cherriep stuff will be handled outside of the “Philth” moniker. Every once and a while I’m sure a track will come around, but Cherriep is my solo stuff and I hope to use it to branch out. It’s very important to keep your options open as an artist as things change over night. One minute your seeing some success from Juke, the next minute everybody’s into Trap. One day you wake up and Trinidad James is amazing. So assume formlessness and just go with the flow.

How does Cherrie P differ from the Philkids?
Cherriep doesn’t require any kind of approval from anybody. It allows me to do whatever I want — whereas with Philthkids there are protocols and stylistic requirements for me to meet as a producer. The subject matter is a lot more sexual and freaky and the tempo is slowed down a bit. The Cherriep thing is really an outlet for me to be a creep and just fuck with peeps in the worst ways. Cherriep the Creep as a character came about while doing the Aufect Radio thing. I use this moniker for hosting the show, every Sunday from 5-7 on sub.fm with Dj Cure and special guests. Here’s the latest archive. link — https://soundcloud.com/philthkids/aufect-radio-w-frumlater?in=philthkids%2Fsets%2Fmixes-radio

Describe Cherrie P in three words or less.

Creepy… yet Intriguing

Aight, that’s all I gots fur yuh. Feel free to add and last minute addys now.
We plan to bring Canada some of the rawest forms of music from around the world. We want to know what you think about that. Feel free to post, comment or interact with us online. We’re very approachable…well I’m very approachable. Ghostwhip is kind of a wierdo and Choones never leaves his house — He wears slippers to the market. If your ever in Nelson just stand at the corner of Ward and Baker and open a can of Old Milwaukee, they’ll be there faster than you could say “Hobo Space Wagon.”

If you want to buy music direct from us for a cheeper price go to ….

http://philthkids.bandcamp.com/

If you want to connect with us on FB go to…

https://www.facebook.com/Philthtrax.Philthkids

If you use twitter and you want to twitter with us then go to…

https://twitter.com/Philthkids

Check out our website at…

www.philthkids.com

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