Kermode – You Are The Adventure

“Like the bear in which he adopted his name, Kermode’s music is soft, and peaceful at times, but one blink and you’re dealing with a massive, roaring, wild beast. Both live and in his production, Kermode puts heavier emphasis on songwriting and unique sound design to take his listener on an epic journey.”

Kermode’s story is one of my favorite to come out of the Canada Day weekend. An hour’s drive down a loggers road out into the middle of nowhere, I met Kermode at Eden Prime, which I found out was his first music festival ever. On the second night, by complete chance, one of the DJs played a song Kermode had produced in his set!

His music has a lot of variations in focus and style so I recommend you give a listen to his earlier EP Emit Time (and grab the free download while you’re there, too!)

Soundcloud / Facebook / Twitter

Revamped Electropop for Healthy Attention Spans

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When someone says that something is refreshing, this could mean (at least) two things. It suggests, obviously, that you have been deprived of it (this definition makes sense, and I think few would question it, unless they don’t know what the word means or what a question is). At the same time, however, there is the implied possibility that this “something” is now made “fresh” again and, perhaps, that it is good for you. Both of these definitions came to my mind during Fortune Sound Club’s Canada Day Long Weekend Party.

When I first came in, Kalibo was already up, playing to a trickling stream of attendees. While there was no crowd in sight just yet, he delivered a subdued and consistent set in tune with what the other DJs would all individually set out to champion: a revamped take on early 90s dance. Kalibo’s material was the kind of foreground sound that doesn’t annoy and the kind of background sound that only rewards. His selection of 90s–themed electronica was a slick presentation of the bold yet intelligent sounds that brought house and ambient together in the first place (the calmer, minimalist sides of The Orb and hints of early club-oriented Kompakt material came to mind). He was perfect for those who had found their seats and were pacing themselves for the long haul. Then, WMN Studies kicked it up a notch, seamlessly carrying the tone over, but bringing more punchy beats and live remixing. He can be accredited for being the first person to give the place a “moving” pulse, as evidenced by more heads turning and more bodies claiming positions on the dance floor (if you wanted to, you could imagine Underworld sneaking in and discreetly pressing buttons, but no one’s forcing you to). His driving beats and low-end throbs were applied sporadically and sparingly. This was, without a doubt, the smart thing to do; having barely reached the evening’s halfway mark, mere suggestions of what is to come manage to compound the anticipation rather than simply cashing it all in prematurely. Ultimately, the guy managed to do just that.

Following the first two sets, Pat Lok took over the controls. Amassing what the two previous DJs had presented, he somehow pushed both styles further, sprinkling in more dance moments and flashy remixes, but also finding more effective moments of singular, minimalist bliss. It was during Pat Lok’s set that I started to consider why 90s dance is so “refreshing.” There is no doubt a component of nostalgia; many generations of late 20-somethings/early 30-somethings may also hear a soundtrack to impressionable childhood experiences with summer breaks, innocent friendships, new places and plenty of sugar. However, there is more to it than that. In a world that has abandoned “plenty,” is easily surpassing “too much” and heading unquestioningly towards “what’s the point?,” I am reminded that less has always been more and- you know what?- will probably continue to be so.

It was around this time that Le Youth took the stage and dove into a full-fledged celebration of what has made his name. Girls flooded the stage and the dance floor came to life as he quickly celebrated nostalgic classics (Salt N Pepa’s “Push It”) and showcased his own tunes (the infinitely-remixed “Dance With Me”). Perhaps the set’s finest moment was the way he played with Corona’s “The Rhythm of the Night,” cutting the thing into pieces to scaffold the emotional pay-off and breaking apart the layers to explore their individual potentials. Though it was a centerpiece, it did not feel elongated or berated; it felt more patient and substantial, and this was the impression brought about repeatedly throughout the evening. Flexible space and a focus on singular ingredients were consistent features of the four artists in the main room. Meanwhile, the crowd was both modest and enthusiastic; when they lost their shit, I didn’t get the impression that it would be super expensive nor easy to replace.

As the pinnacle of the evening, Le Youth seemed to encapsulate the 90s quite well; the clear piano hooks of “Feel Your Love” channeled early 90s dance like Ce Ce Peniston and the reservation/release of Javeon’s vocal performance is reminiscent of what Basement Jaxx is still trying to perfect to this day. The strength of the song for me, like the strongest moments of all of the sets, has to do with giving good ideas the spotlight of center stage, complementing them with clarity, respecting them with patience and providing them with the space to breathe. To round it out, the evening’s DJs all revealed an intuitive mind and an active ear, as evidenced by their understanding of when and how to finally give the listeners what they’d invested in.

At the end of the ephemeral highs, I think even clubbers and concertgoers know full well that less is more. What remains important is how well that “less” is executed. In the case of the evening’s roster, the answer is, quite simply, “quite well.” Some may see Fortune Sound’s embrace of 90s dance for a Canada Day celebration as a desperate grasp at the last available scrap of retro left behind; far from it. If nothing else, the encapsulated summer vibes of 90s dance reflected the dead heat that ended a long, dry June for this northern corner of the west coast. More importantly, for those individuals that remember a world before the internet and this thing I’m typing on, the Long Weekend showcase was both a reprieve for “present” brains and a reminder that there is plenty behind us that we have yet to explore.

Keep up the great work, Fortune.

TONIGHT! Le Youth Long Weekend Party @ Fortune

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It’s high time we celebrate our countries birthday once more. The calendar year says so, and who doesn’t love a long weekend? To boot Fortunes crew has arranged a lineup all to conducive for a good time within the realms of House, feels, and all out cool n’ aloof times by solid music.

Headlining is Los Angeles Le Youth. As misleading as his moniker is, he is NOT a french producer. Though, you can rest easy as the producers work will leave you believing you are listening to a Euro legend of some calibre. The single ‘Feel Your Love’ was released as multiple continental dates were announced in North America and Europe. The video for which should be arriving any day now.

Le Youth – Facebook | Soundcloud | Twitter

In support are three wildly appropriate local acts whom all the House and New Disco lovers of the city are well, well, verse with. Pat Lok who took home the sinning title of a DFA Records remix competition some years ago, has only built up steam since. More recently seeing premiers on Vice Electronic offshoot Thump, BBC Radio 1 support, original video productions and a list still to long to go on with.



Pat Lok – Facebook | Soundcloud | Twitter

Local White Noise resident(s) and personal favourite, Wmnstudies. The remix repertoire by the East x West coast axis operating duo is like no other. Here are a few more recent examples:




Wmnstudies – Facebook | Soundcloud | Twitter

A more recent name as a solo artist, but equal parts great producer, Kalibo. Perhaps better know to some as member of live DJ/Percussion group Motions joins as well. The best introduction will no doubt be production.


Kalibo – Facebook | Soundcloud

In the Livestock Room

Pure Addiction DJs and djtricks.com will be holding things down in the second room. The hombre’s at djtricks.com will be running in with three staff members. Owner LLCodyJ & student turned instructor Mr. Mister will be going back to back preceeded or followed by familiar face at Fortune, Lisa Delux. Two rooms of the best in House.



djtricks.com – Facebook | Soundcloud | Twitter

Pure Addiction – Facebook | Soundcloud | Twitter

For full event details and last minute purchase links visit :: https://www.facebook.com/events/793962253956735/

Ghosts of Venice – My Love feat. Josh Jakq Remixes


Italian label La Valigetta is a hugely tasteful source for New Disco, House and other sea breeze enticing productions. The label took a look back to the 2013 smash of Chicago based Ghosts of Venice for an anniversary remix release. Enlisting the likes of The Golden Boy (Ministry of Sound), the UK’s Panda (Kitsune’ / Black Butter / Cool Kids / Sounds of Sumo), unpredictably NYC producer Chrissy Murderbot (Hypercolour / Planet Mu) and the “Cali pals” Geisha Twins (Scion A/V). The lineup follows through by providing tune for near every beach time mood or sitch. You can purchase the release on Beatport.

Ghosts of Venice – Facebook | Soundcloud | Twitter

Paces – Baby Bye feat. Just Chris


Turning his sights towards imprisoning Hip Hop with his signature tropics in a new Rapper featuring production featured in the newley formed Never Slept Records opening compilation. As a whole the compilation contains a list of producers just as driven in imagination and skill of genre building and bending in beat production. Note Paces contribution but do listen in whole from start to fin.

Paces – Facebook | Soundcloud | Twitter

The Blunt Sinatras – Blunted EP


Big news pears: Nearing a full week ago the hard knock Boston kids The Blunt Sinatras put forth a two track EP via Sluggo’s Ultragore Records. The first official release by hard hitting duo. You can purchase/support the release on Beatport or iTunes. Congrats dudes.

And the heat hasn’t stopped at there. Earlier this month they released a massive remix of Gesaffelstein’s Pursuit and set it loose as a free download. In addition to a Drake remix made in 24 hours.


Plus a Moduloktopus side project release under DJ Homewreckers The Mob label. And last but not least a Moduloktopus remix of Solid Groove’s (Switch) 2005 single through Do Androids Dance.


The Blunt Sinatras – Facebook | Soundcloud | Twitter

PRINCESSNYAH – Champion


Hard in both vocals and production thisReggae x Dubstep hybrid hardcore dub ‘Champion’ is a fierce introduction to the vocalist / rapper. Being served as a re-introduction to the music world as she continues to “inspire young females while teaching men, women can mean business and still look good.”

PRINCESSNYAH – Facebook | Soundcloud | Twitter

Artist Spotlight | Kyross

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At just sixteen years of age with successful releases under the Cake Collective & Mid West Collective furthered with support from blog heavy weights like Hilly Dilly, Vancouver’s own Kyross steady making a strong advance into the scene. His production versatility has met few boundaries un-passable or accomplished. And being the age he is there are were a number of burning questions to be asked to ascertain his place and influences surrounding.

At your age how do you participate in the city’s scene? Just online or are you repping a legally lax ID?

Yeah I mean I haven’t really gone into the city to do any shows or anything yet but I’d hope it’s not a problem. So far I’ve only been doing online stuff with a couple local guys but this summer should be sick cause theres possibility of some gigs which I’m very excited about.

Does Vancouver have good all age shows?

Haha yeah, there have been a couple of good shows but a lot of the time I just can’t make the ride out to downtown. There have been some highlight shows I’ve gone to like Flume, Giraffage, Touch Sensitive, Phoenix, Mac Demarco, The Black Keys & Arctic Monkeys which were spectacular. Really It’s not like the artists purposely make the show +19 or anything but it just sucks when one of my favorite artists come out here and it’s at a club which has happened so many times. Fortunately sad boys are coming in July and its even been promoted that it’s all ages so hopefully I can make it out to that and have an emotional time.

What genres or artists were you listening to before you began producing?

I’ve definitely had my phases haha. Back in middle school and my early high school years I was listening to a lot of death & thrash metal which eventually evolved into punk. I’d say around grade 9 I got heavy into older punk music and that led me all sorts of  different genres that kind of had a relation to the punk feeling with a more softer grunge kind of tone to it. I then somehow came across youtube channels like Majestic Casual around late into my grade 9 year that shared really experimental, electronic beats. When I came across that style it was like finding what I had always been looking for. It was just super diverse and it had no boundaries compared to all these metal genres that people bashed around constantly. I guess I then started listening to guys like Shlohmo, XXYYXX, Gold Panda, Thrupence, Flume, Rustie and tons more that I still bump to this day.

Listening through your catalog you haven’t kept to one genre, not completely at least. What’s kept steady is the “Future” element. Funk, R&b, bass.

Yeah for sure. To be honest I usually have no idea to what I’m gonna make next. It just kinda comes along from certain inspiration, random motivation or just feeling a vibe to something I listen to at the time but I do tend to keep around those genres for sure though. I always like a little bit of a dreamy element to my tracks with some deep vibes.

At what age did you begin listening to music, and at what point did you begin producing music?

I think I started listening to music as a hobby when I was 8 or 9 maybe? I got the ipod shuffle and my life basically revolved around music. I listened for quite some time with intentions to maybe even start a blog about music but I was never motivated enough. As for producing I believe I started around this time last year when it clicked that I really wanted to pursue this. I think I was just so in shock by the fact that I could create, market and release my own music. It just baffled me to kinda think like “wow It’s like entering another world where you can create & express your own vibes”. It kinda gave the term “music industry” a less intimidating feel once I started producing at my own pace.

Who have been your main listening squeezes over the course of your production career?

Great question, I definitely have tons of artists that I look up to. As for times like right now I’ve been listening to Lxury’s new release “Raid”. It’s filled with like euphoric chord progressions that are just sick. For the majority of the year I’ve stuck to some familiar names such as Flume, Bondax, Snakehips, Slow Magic n what not. I recently just started getting into house music as well which inspired my music a ton.

Did you doing any schooling for production? Extra curricular or in school?

Nah, I think it’d be neat to do some schooling for that though. I do play drums for some extra classes at school but really I just like to muck around until something starts to sound good.

What’s your connection to Vancouver? Were you born and raised?

Yeah, I was born in New Westminster and I live about an hour and a half outside downtown. I’ve lived here my whole life and I guess it’s pretty rad. Tons of good memories and people around here.

How has the city, if at all, impacted your music?

Around winter time I definitely get inspired by the rain. As much as I hate it at times it has the power to give an atmosphere to my music that only the feel of rain can give. I guess theres some contrast to that as well because I love sun and summer haha. Sun can just give me the feel to make warmer tracks. I don’t feel the need to express the gloom that the winter or spring gives when summer comes around. As for the actual city mostly just taking out the longboard and going for rides can inspire me to write fresh tunes. I also really enjoy seeing the difference in culture around downtown. Theres a lot of killer street artists around vancouver to observe as well. As much as the city motivates I also love to go travelling and see the world we live in.

You’ve a few affiliations that people might not be familiar with. Can you give us the run down on those?

For sure! In august last year I joined Midwest Collective which is a group of artists (based somewhat in Chicago) that make music along with other members of the team doing some dope stuff behind the scenes. It’s like a tight family. We all support each other, share our music, have tinychat music sessions, releasing comps and overall getting ourselves out there in the music world. If I’d compare mwc to anything it’d be if Vaporwave, Keats Collective and Soulection all had a baby…somehow. Haha, I’m also joined a group in November called Somico Collective as well which is a group (fam) of kids under 18 using the collective as a platform to get started in the music world. It’s super neat idea and it seems like we are all defs going places with it and we’ve even gotten love from some major labels which is super awesome. Not to mention that the guy in charge Corbin Cary is also head of Svnset Waves and has been super generous and loving to all the fam. For time being I’m also in another upcoming group of beat artists called Cake Collective who is like a sister collective of MWC with man in Charge BEEMO. Cake already got kicked off with some soulection members showing us some love on our tracks on the new heady treats comp along with Majestic Casual as well which is totally rad. I’m doing another project that has yet to be released called Neave with partner Grays. Get ready for some funky shizz peeps.

Any plans foreseeable to be signed or have an official release?

I’ve been talking with some guys from a group called Emprise music who I have yet to release something with. We’re planning on hopefully getting an EP out there soon which should be fun. Along with this I have something else going on which is getting me super pumped for this year but I can’t quite let loose yet.

You’ve a few affiliations that people might not be familiar with. Can you give us the run down on those?

For sure! In august last year I joined Midwest Collective which is a group of artists (based somewhat in Chicago) that make music along with other members of the team doing some dope stuff behind the scenes. It’s like a tight family. We all support each other, share our music, have tinychat music sessions, releasing comps and overall getting ourselves out there in the music world. If I’d compare mwc to anything it’d be if Vaporwave, Keats Collective and Soulection all had a baby…somehow. Haha, I’m also joined a group in November called Somico Collective as well which is a group (fam) of kids under 18 using the collective as a platform to get started in the music world. It’s super neat idea and it seems like we are all defs going places with it and we’ve even gotten love from some major labels which is super awesome. Not to mention that the guy in charge Corbin Cary is also head of Svnset Waves and has been super generous and loving to all the fam. For time being I’m also in another upcoming group of beat artists called Cake Collective who is like a sister collective of MWC with man in Charge BEEMO. Cake already got kicked off with some soulection members showing us some love on our tracks on the new heady treats comp along with Majestic Casual as well which is totally rad. I’m doing another project that has yet to be released called Neave with partner Grays. Get ready for some funky shizz peeps.

Any plans foreseeable to be signed or have an official release?

I’ve been talking with some guys from a group called Emprise music who I have yet to release something with. We’re planning on hopefully getting an EP out there soon which should be fun. Along with this I have something else going on which is getting me super pumped for this year but I can’t quite let loose yet.

Kyross – Facebook | Instagram | Soundcloud | Twitter

The Dealer – Right Beside You feat. Damon C Scott


Ahead of the debut singles release on August third, Southampton’s The dealer went live with the stream. House & Tropics go down easy with heart string tugging feel good lyrics as the play count will convince you of. Really curious to see if the single will be featuring remixes and whether or not those enlisted will be able to top the original.

The Dealer – Facebook | Instagram | Soundcloud | Twitter